Pinting graceful, plain beauty, creative source – Sohu famous designer Sun Qian-tianbi

Pinting graceful, plain beauty, creative source of famous designer Sun Qian – Sun Qian of the Sohu, a jade family, his mastery of painting and calligraphy, the mural painting department of China Central Academy of Fine Arts was. She was in charge of Hongkong Chow Tai Fook jewelry design product development, working 18 years acclaimed, award-winning, the stone jewelry court supernatant founder, in-depth cooperation with many international first-line brand jewelry in the jewelry processing field. All the works of Sun Qian and a graceful lonely pride, like China Literati Spirit, with complex materials like clouds and flower artistic interpretation. So what kind of feelings and beliefs continue to inspire her, and what inspired her to continue to create a unique Chinese traditional fan of the big beauty jewelry works? We had an interview with MS. Sun Qian with these questions and a spark of thought. The ART_OF_JEWEL: of most domestic jewelry designer works are western aesthetic and Western style, and in your work in the full interpretation of the eastern United States, what do you think of western aesthetic difference, the jewelry design and bring in different expression? Sun Qian: what is different for the understanding of Western beauty on form, is dazzing bright is to immediately catch the eye can bring sensual pleasure; and that the beauty of the Orient is calm quiet introverted, often emotional moved over the senses. So Western jewelry is more prized for the cutting angles of gemstones, 4C, glitter and publicity…… While Oriental jewelry is more concerned, and the gem itself like jade, "the gentleman jade jade to the body", "gentleman" become indispensable. Jewelry is more emotional consolation for the East, feelings and beliefs. So I think the root of oriental aesthetics is the quiet beauty of jewelry. ART_OF_JEWEL: you in daily creation is how to interpret this plain beauty? Sun Qian: I really appreciate the expression of beauty in Oriental Art wonderful between appearance and likeness. Just like water ink freehand brushwork, the artistic conception expressed can stimulate the imagination of the viewer, and the mountain is not like the mountain, and the water is also not water. In the color processing, but also pay attention to elegant, clean, and everywhere the blank, blank is the Oriental Art of the sublime, she left the audience infinite imagination space, hidden and exposed, deep and shallow, and words and meaning, and a good works can inspire the imagination is boundless, beauty in a complete mess…… ART_OF_JEWEL: you just talked about the major expression of plain beauty of Oriental jewelry creation, so what is your creative ideal, what is the daily preference in the creation of material? Sun Qian: it is my ideal to create new literati jewelry with no complicated and bright materials. For me, the good jewelry is not disturbed, neither wealth nor elegant quiet, but also values and aesthetic accomplishment of heritage. Many of my works will use gold, one is the color of gold warm, very suitable for Asians; two gold is more suitable for Oriental psychological appeal. In my work, the gold that has been hardened has been shown to be a three-dimensional sculpture of 360 degrees, which can be worn when it is worn

娉婷婉约、素净之美,记著名设计师孙倩的创作源泉-搜狐      孙倩,出身玉石世家,自幼通达绘画和书法,曾是中央美术学院壁画系高材生。她曾执掌香港周大福产品研发,从业珠宝设计18年来广受赞誉、获奖无数,现为石上清庭珠宝创始人,与众多国际一线珠宝品牌在珠宝加工领域深入合作。      都说孙倩的作品曼妙着又略带孤独的傲气,像中国文人的精神 ,用不复杂的材料演绎似云又似花的意境。那么是什么样的一种情怀和信仰源源不断地为她带来灵感,又是什么激励着她不断创作出独具中国传统范儿的大美珠宝作品呢?我们带着这些问题同孙倩女士进行了一次访谈、一次思想火花的碰撞。   ART_OF_JEWEL: 目前国内绝大部分珠宝设计师的作品都偏西方审美、西洋风格,而在你的作品中充分地诠释了东方美,你是如何看待东西方美学差异的,这在珠宝设计上又带来何种不同的表达?   孙倩:东西方对于美的认识是不同的,西方的美注重形式,是夺目璀璨的是立刻抓住眼球可以带来感官愉悦的;而东方所认为的美是平静不张扬内敛含蓄的,往往是情感的感动多过感官。所以西方的珠宝更推崇宝石的切割角度,4C,闪烁和张扬…….而东方珠宝则更加关注和宝石本身的关系,就像玉,“君子无故玉不去身”,佩玉成为“君子”不可或缺之物。珠宝对于东方更多是情感慰藉,是情怀和信仰。所以我认为东方珠宝美学的根源是素净之美。   ART_OF_JEWEL: 你在日常创作中是如何诠释这种素净之美的?   孙倩:我非常欣赏东方艺术对美好的表达――美妙在似与不似之间。就像水墨写意,表达的意境可以激发观者的想象力,看山不似山,看水也非水。在色彩的处理上也讲究素、雅、净,而且处处留白,留白就是东方艺术的高妙之处了,她留给观者无限的想象空间,藏与露、深与浅、言与意、虚与实,一件好的作品的确可以启发无边无际的想象,美的一塌糊涂……   ART_OF_JEWEL: 刚刚你谈到素净之美东方珠宝创作的主要表达方式,那么你的创作理想是什么,日常创作中偏爱的材料又是什么?   孙倩:用不复杂不璀璨的材料创作新文人珠宝是我的理想。对我而言美好的珠宝是不打扰的,既不张扬财富又能优雅静立;同时也是价值观和审美修养的传承。我的作品很多会运用黄金,一是黄金温暖的颜色非常适合亚洲人;二是黄金更能贴合东方心理诉求。我的作品里把经过加硬技术处理的黄金表现成360度体现结构的立体小雕塑,在佩戴时可以全方向无死角,作品能带给佩戴者生动的参与感。在其他宝石的运用上我喜欢用不切割的素面宝石,把咄咄逼人的光芒收敛起来。翡翠、碧玺、和田、青金、珍珠、珊瑚都是我非常喜欢的宝石。由心及物、由内而外的展现东方珠宝关于时间、空间、自然、情怀和美的思考与表达。   ART_OF_JEWEL: 作为行业资深设计师,你与众不同的创作理念或者说指导原则是什么?   孙倩:做珠宝,常常得提醒自己需要克制的释放。珠宝是非常慎密的工作,处处考验着设计师。材料运用和工艺,实用性和美感,传承和突破……处处都在找平衡。珠宝可以说是最具金融属性的艺术品!也是方寸之间价值观和修为的具体体现,所以我把每一件珠宝都当成“传承”来对待而不是时尚品或装饰品。                           关于孙倩(SUNCHIN)      获得赞誉:   1998年,作品《宇宙》入围DTC国际钻石设计大赛   1999年5月,作品<<塞纳河边的女孩>>入围世界黄金协会千禧永恒金设计大赛   1999年9月,首届中国珠宝首饰设计大赛作品<<真>>荣获钻石组银奖   2001年4月,第二届中国珠宝首饰设计大赛作品<<踏浪>>珍珠组优异奖   2002年2月,世界黄金协会2002<黄金经典II> 作品《阳光》荣获全球30件设计大奖,成为中国第一个获此殊荣的女设计师   2002年11月,第四届国际南洋珠设计比赛作品《追忆似水年华》?《变幻的人生》?《风声水起》分别获得金奖,银奖和优异奖   2002年3月,创造周大福“福星宝宝”系列,至今成为珠宝明星销售奇迹产品,由此在业界得以“福星妈妈”美誉   2003年9月,香港翡翠设计大赛 作品《擎天》,《梅花三弄》荣获优异奖   2004年8月,第二届大溪地珍珠设计大赛 作品《水滴石穿》,《凝固的汪洋》荣获优异奖   2005年4月,第三届E.F.D公主方钻石首饰设计大赛 作品《冰之艳》荣获铜奖   2006年8月,第三届大溪地珍珠设计大赛 作品《火树银花》,《窗》荣获优异奖   2007年3月,世界黄金协会2007黄金畅想设计大赛 作品《黑暗中的舞者》,《柳》分别荣获银奖和优异奖      世界黄金协会<黄金经典II> 作品《阳光》      黄金畅想设计大赛 作品《黑暗中的舞者》相关的主题文章: